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20152019
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Personal profile

Research Interests

Choreographic practice; Participatory practice; Site specific practice; Mentoring and facilitating; Film and installation making; Articulating and documenting her practice; Somatic practice with people with a range of experience- from beginner to professional

Biography

 

Known for working in a variety of contexts and media, Rosemary has created large-scale site-specific works with cross-generational casts, solos for herself and other performers as well as video installations and short films for BBC.

Recent works include Under the Vaulted Sky(2014) commissioned by The Stables for Milton Keynes International Festival, Liquid Gold is the Air (2015) – a three screen video installation and winner of the Light Moves Festival prize, Without (2013), commissioned by and created with Echo Echo Dance Theatre Company, a seven-screen video installation with sound score by Graeme Miller. It captures a panoramic view of the city of Derry/Londonderry as 400 of its inhabitants dance and move through the streets. Rosemary and artist Simon Whitehead recently created Calling Tree, a durational performance cycle of songs, movement and messages, in and around a mature tree in Tottenham as part of LIFT 2016 and in tall London Plane trees for Bloomsbury Festival and The Place Autumn 2016. Passage for Par (2018) involved 30 women slowly crossing the vast expanse of Par Sands at low tide and was commissioned by CAST for Groundwork,  programme of international wrok across Cornwall. Her latest work Circadian (2019) took place over 24 hours on Lowestoft beach at FIrst Light Festival.   

 Rosemary also writes, guest teaches and lectures internationally. Recipient of both a Bonnie Bird Award and a Jerwood Choreographic Research Project Award in 2013, she is an Artsadmin Artist, a Work Place artist, a Senior Research Fellow at C-DaRE Coventry University, and holds an honorary doctorate from Roehampton University and is an honorary Fellow at Trinity Laban.

 

Vision Statement

 

First and foremost I try to remain a maker of works for strangers to experience. My work, whether it be a film installation or live, is created for and in many contexts, from the streets of Derry Northern Ireland to the boughs of an ancient oak tree in Tottenham. The performers maybe hundreds or just one, trained or untrained, young and old.

The variety of my practice raises many specific questions for each project and audience but also more over arching questions of what remains the same, and what is at the heart of what I am doing in all senses, regardless of the changing media or constituencies. I am curious about the individual and the ensemble or collective, the creating of a community and illustration of it in the works themselves, the way the work engages a knowing audience in comparison to someone who stumbles across it, the responsibility I have for the casts and the audiences experience, the role language plays in facilitating movement and how our physical and sensorial knowing of the world shapes language. I’m curious about how the radical -politically and artistically- can be inherent in the so called dance world as can its opposite and how we might tackle some evident and hidden inequalities.

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Research Output 2015 2019

Circadian

Lee, R., 23 Jun 2019

Research output: Practice-Based and Non-textual ResearchPerformance

Solo
Dancers
Soloist
Dance
East Anglia

Calling Tree Pamplona

Lee, R. & Whitehead, S., 11 May 2018

Research output: Practice-Based and Non-textual ResearchPerformance

Pamplona
Public Space
Dance
Performer
Song

Moving Stories

Lee, R., 24 Feb 2018

Research output: Other contribution

Dancers
Language
Performer
Dancing
Choreographers

Passage for Par

Lee, R., 22 Jun 2018

Research output: Practice-Based and Non-textual ResearchPerformance

Choreographers
Costume Designer
Rehearsal
Dance
Cornwall

Preferring the Blur

Lee, R., 1 Jun 2018, A World of Muscle, Bone and Organs. : Research and Scholarship in Dance. Ellis, S., Waelde, C. & Blades, H. (eds.). C-DaRE, p. 185 -213 29 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Language
Experiment
Tottenham

Activities 2018 2018

  • 3 Participation in workshop, seminar, course
  • 2 Invited talk
  • 1 Participation in conference
  • 1 Public Engagement Event

Our Dance Democracy, Dance, Performance, Culture, and Civic Democracy

Rosemary Lee (Keynote Speaker)
2 Nov 20183 Nov 2018

Activity: Participating in or organising an eventParticipation in conference

Narrating the Somatic

Rosemary Lee (Keynote Speaker)
24 Feb 2018

Activity: Participating in or organising an eventParticipation in workshop, seminar, course

Crossing Borders

Rosemary Lee (Speaker), Kat Austen (Invited Speaker)
6 Nov 2018

Activity: Participating in or organising an eventPublic Engagement Event

Balancing Act

Rosemary Lee (Keynote speaker)
3 Nov 2018

Activity: Talk or presentationInvited talk

CultureMoves LabDay 2

Rosamaria Kostic Cisneros (Organising Committee), Sarah Whatley (Organising Committee), Marie-Louise Clare Crawley (Organising Committee), Natalie Garrett Brown (Panel Member), Sara Wookey (Panel Member), Emma Meehan (Panel Member), Rosemary Lee (Speaker)
19 Nov 2018

Activity: Participating in or organising an eventParticipation in workshop, seminar, course

Prizes

Honorary Fellow of Trinity Laban

Rosemary Lee (Recipient), 9 Dec 2016

Prize: Other distinction

winner of overall Festival Price at Light Moves

Rosemary Lee (Recipient) & Roswitha Chesher (Recipient), 22 Nov 2015

Prize: Other distinction

Ireland
gold
air
liquids