Research Output per year
Research Output 2015 2020
2019
Creating Entangled Histories of Museum Collections: Isaac Julien’s Vagabondia (2002) and Camille Henrot’s Grosse Fatigue (2013)
De Rosa, M. & Fowler, C., 2019, The Cinematic Medium Across World Fairs, Art Museums, and Cultural Exhibitions. Cavallotti, D., Dotto, S. & Mariani, A. (eds.). Milan: Mimesis International, p. 293-299 6 p.Research output: Chapter in Book/Report/Conference proceeding › Conference proceeding
Dwelling the Open: Amos Gitai and the Home of Cinema
De Rosa, M., 2019, (Submitted) Film and Domestic Space. Baschiera, S. & M. D. R. (eds.). Edinburgh: Edinburgh University PressResearch output: Chapter in Book/Report/Conference proceeding › Chapter
2017
A Poetics of Care: Slowness, Ethics and Enchantment in Gianikian & Ricci Lucchi’s Oeuvre
De Rosa, M., Mar 2017, In : Found Footage Magazine. 3, Spring, p. 28-37 9 p.Research output: Contribution to journal › Article
Ethics of Care
Enchantment
Poetics
Temporality
Impossibility
Cinema
Aesthetics
Anticipation
Film Festivals
Museum of Contemporary Art
Cinema
Iteration
Film Festivals
Genealogy
Discourse
63
Downloads
(Pure)
Digital Premonitions: Curatorial Notes on Post-Internet Aesthetics
De Rosa, M., 2017, 6 p. Vodnjan : Apoteka.Research output: Other contribution
Open Access
File
Aesthetics
World Wide Web
Cinema
Anticipation
John Smith
Don't believe in subversion
De Rosa, M. & de Cuir Jr., G., 2017, 4 p.Research output: Other contribution
Subversion
Names
Serbia
97
Downloads
(Pure)
Post-what? Post-when? A conversation on the ‘Posts’ of post-media and post-cinema
De Rosa, M. & Hediger, V., 31 Mar 2017, In : Cinéma & Cie: International Film Studies Journal. 26/27, XVI, p. 9-20 11 p.Research output: Contribution to journal › Article
Open Access
File
Cinema
Theoretical Framework
Post-what? Post-when? Thinking Moving Images Beyond the Post-medium/Post-cinema Condition
Hediger, V. (ed.) & De Rosa, M. (ed.), 2017, Mimesis International. 179 p.Research output: Book/Report › Anthology or Edited Book
Cinema
Periodization
Media History
Multiplicity
Theoretical Framework
Screenic (re)Orientations: Desktop, Tabletop, Tablet, Booklet, Touchscreen, etc
De Rosa, M. & Strauven, W., 2017, (Accepted/In press) Screen Space Reconfigured. Sæther, S. & Bull, S. T. (eds.). Amsterdam, Netherlands: Amsterdam University Press, p. (in press)Research output: Chapter in Book/Report/Conference proceeding › Chapter
Pamphlets
Tablets
2016
A treatise on the apparatus and the artistic yield of Yervant Gianikian & Angela Ricci Lucchi
de Cuir, G. & De Rosa, M., 2016, In : Millennium Film Journal. 64, p. 68-75 8 p.Research output: Contribution to journal › Article
From A Voyage to the North Sea to a Passage to the North-West. Journeys Across the Contaminated Histories of Art and Film
De Rosa, M., 2016, A History of Cinema without Names: A Research Project. Cavallotti, D., Giordano, F. & Quaresima, L. (eds.). Milan/Udine: Mimesis International, p. 149-155 6 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter
2015
Intermediality, media-archaeology, and the gallery. Notes on Yervant Gianikian and Angela Ricci Lucchi’s video installations
De Rosa, M., 2015, At the Borders of (Film) History. Temporality, Archaeology, Theories. Beltrame, A., Fidotta, G. & Mariani, A. (eds.). Udine: Forum Press, p. 91-100 9 p.Research output: Chapter in Book/Report/Conference proceeding › Conference proceeding