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20172018
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Personal profile

Research Interests

Marie-Louise is a choreographer and artist-researcher. Her research interests include dance and museums, and areas of intersection between Classics and Dance Studies, such as ancient dance and the performance of epic. 

Biography

Educated at the University of Oxford (B.A. HonsM.St.) and trained at the Ecole Marceau in Paris, Marie-Louise began her professional performance career with Ariane Mnouchkine's Théâtre du Soleil (2003-2009). Since 2010, she has been working in the UK as an independent choreographer and dance artist with companies as diverse as Birmingham Opera Company, Marc Brew, Gary Clarke, Ballet Cymru and Rosie Kay Dance Company. Recent new work has included pieces for a Tate / ARTIST ROOMS exhibit at mac Birmingham, as well as for performance ensemble Avid for Ovid at the Ashmolean Museum, Oxford. She was recently Artist-in-Residence at the Archive of Performances of Greek and Roman Drama, University of Oxford (2017). Marie-Louise's PhD project investigates dance in the archaeological museum.

Education/Academic qualification

European Literature M.St., MA, University of Oxford

20022003

Classics and Modern Languages, Degree, University of Oxford

19982002

External positions

Sessional Lecturer, University of Worcester

Fingerprint Fingerprint is based on mining the text of the person's scientific documents to create an index of weighted terms, which defines the key subjects of each individual researcher.

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Research Output 2017 2018

CultureMoves White Paper Report 3.2

Cisneros, R. E. K., Whatley, S. & Crawley, M-L. C., 7 Dec 2018, European Commission. 64 p.

Research output: Book/ReportCommissioned report

dance
Italy
conversation
expert

Epic Bodies: Filtering the Past and Embodying the Present – A Performer’s Perspective

Crawley, M-L. C., 25 Oct 2018, Epic Performances from the Middle Ages into the Twenty-First Century. Macintosh, F., McConnell, J., Harrison, S. & Kenward, C. (eds.). Oxford University Press

Research output: Chapter in Book/Report/Conference proceedingChapter

Likely Terpsichore? (Fragments)

Crawley, M-L. C., Apr 2018

Research output: Practice-Based and Non-textual ResearchPerformance

'The Crafted Body': Thoughts on Dancing, Viewing and Remembering

Crawley, M-L. C., 2018, A World of Muscle, Bone & Organs: Research and Scholarship in Dance. Ellis, S., Blades, H. & Waelde, C. (eds.). Coventry: C-DaRE at Coventry University, p. 59-75

Research output: Chapter in Book/Report/Conference proceedingChapter

Open Access
Dancing
Remembering
Stillness
Dance
Practice as Research

Activities 2018 2019

  • 2 Participation in workshop, seminar, course
  • 1 Participation in conference

'Hybrid Practices: Methodologies, Histories, and Performance'

Rosamaria Kostic Cisneros (Speaker), Marie-Louise Crawley (Speaker), Sarah Whatley (Speaker)
13 Mar 201915 Mar 2019

Activity: Participating in or organising an eventParticipation in conference

CultureMoves LabDay 2

Rosamaria Kostic Cisneros (Organising Committee), Sarah Whatley (Organising Committee), Marie-Louise Clare Crawley (Organising Committee), Natalie Garrett Brown (Panel Member), Sara Wookey (Panel Member), Emma Meehan (Panel Member), Rosemary Lee (Speaker)
19 Nov 2018

Activity: Participating in or organising an eventParticipation in workshop, seminar, course

Culture Moves EU Project LabDay 1

Rosamaria Kostic Cisneros (Organising Committee), Marie-Louise Clare Crawley (Organising Committee)
15 Nov 2018

Activity: Participating in or organising an eventParticipation in workshop, seminar, course

Prizes

Culture Moves

Sarah Whatley (Recipient), Rosemary E. Kostic Cisneros (Recipient) & Marie-Louise Crawley (Recipient), 2018

Prize: Prize (including medals and awards)