Personal profile

Biography

Hetty completed her PhD at C-DaRE in 2015, under the supervision of Sarah Whatley and Scott deLahunta. Her thesis considered the ontological implications of digital scoring practices for dance. Prior to commencing PhD study she completed and MA in Dance Studies at Roehampton University (2010) and a BA (Hons.) in Dance Theatre from Trinity Laban (2007). She was the 2015 recipient of the Ede and Ravenscroft Postgraduate Award for Academic Excellence.

Hetty has worked as a Visiting Lecturer in Dance Studies at a range of institutions including, Roehampton University, Kingston University, University of East London and Rambert School of Ballet and Contemporary Dance. She has give guest lectures at London Contemporary Dance School and University of California Los Angeles (UCLA). Teaching specialisms include dance analysis, philosophy, cultural studies, and research methods.

Hetty works on various projects within the Centre, and is Editorial Assistant for the Journal of Dance and Somatic Practices, as well as continuing to develop her own research through projects and publications.

Research Interests

Analytic philosophy; Dance and technology; Documentation and archiving; Dance scoring methodologies and dissemination of choreographic process

Vision Statement

I am inspired by an interest in the philosophical questions posed by dance works and practices. In particular I am interested in the making, transmission and dissemination of dance works through scoring, performance and documentation. My research explores philosophical questions around perception, interpretation and analysis, paying particular attention to the role of digital technology in spectatorship, and the relationship between epistemologies of movement and dance appreciation.

Fingerprint Fingerprint is based on mining the text of the person's scientific documents to create an index of weighted terms, which defines the key subjects of each individual researcher.

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Research Output 2010 2017

Choreographic Knowledge and Aesthetic Empiricism

Blades, H. 2017 Performing Process: Sharing Choreographic Practice. Intellect, p. (in press)

Research output: Chapter in Book/Report/Conference proceedingChapter

Aesthetics
Empiricism

Digital Dance

Blades, H. & Whatley, S. 2017 Bloomsbury Companion to Dance. Bloomsbury, p. (in press)

Research output: Chapter in Book/Report/Conference proceedingChapter

Dance

Preservation and Paradox

Blades, H. 2017 Digital Echoes. Palgrave Macmillan UK, p. (in press)

Research output: Chapter in Book/Report/Conference proceedingChapter

Paradox

Running, Resistance and Recollection: A conversation with ourselves through time

Coe, K. & Blades, H. 2017 In : Performance Philosophy Journal. 2, 2, p. 331-341 11 p.

Research output: Contribution to journalArticle

license
attribution
statement
resistance
International

Activities 2014 2017

  • 4 Participation in conference
  • 1 Hosting an academic visitor

Maaike Bleeker

Rosamaria Kostic Cisneros (Host), Blades, H. (Host), deLahunta, S. (Host)
10 Mar 2017

Activity: Hosting an academic visitor

Digital Echoes: (Re)Imagining the Past, (Re)Inventing the Future

Blades, H. (Co-convenor)
4 Mar 2016

Activity: Participation in conference

Beyond the Tipping Point? Dance, Disability and Law

Blades, H. (Participant)
7 Nov 2015

Activity: Participation in conference

3rd Dance and Somatic Conference

Blades, H. (Participant)
10 Jul 201512 Jul 2015

Activity: Participation in conference

Performing Process: Sharing Practice

Blades, H. (Co-convenor)
6 Jun 2014

Activity: Participation in conference