Gibson/Martelli are presenting at the seminar Site-Specific and Participatory Augmented Reality. This is the first event in this series ‘What does it mean for public art that we can see, hear and connect with places we were previously completely cut off from? That we in immersive experiences can disappear into parallel or virtual realities or be transported to other locations, bodies or times? Or that we with greater ease can distort and manipulate our experience and understanding of real sites and situations in media such as AR or VR?