Invited lecture, 'Polish Futurist Writing and Cinematic Imagination'

Related content

• Activities

• 'The Burden of a Cardboard Box: Who Is Afraid of Archiving Women’s Work?'

  Activity: Talk or presentation › Invited talk

• Theory of Practice/Practice of Theory: Thinking Through Making Symposium

  Activity: Participating in or organising an event › Participation in conference

• Found Footage Film as a Form of Creative Archiving

  Activity: Talk or presentation › Invited talk

• The Theoretical Apparatus: Polish Futurism and the Cinematic Imagination

  Activity: Talk or presentation › Invited talk

• Research output

• Cinema Without Film: A Sketch of a Fragmented History of the Polish Avant-Garde Film

  Research output: Contribution to journal › Article › peer-review

• Karol Irzykowski and Feliks Kuczkowski: (Theory of) Animation as the Cinema of Pure Movement

  Research output: Contribution to journal › Article › peer-review

• Unruly Gestures: Seven Cine-Paragraphs on Reading/Writing Practices in our Post-Digital Condition

  Research output: Contribution to journal › Article › peer-review

• 'The Cinematograph as an Agent of History'

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• 'Dada, Futurism and Pure Cinema: An Evening with the Polish Avant-Garde Film', Experiments in Cinema Film Festival, Albuquerque, New Mexico.

  Research output: Practice-Based and Non-textual Research › Artefact

• Visions of Avant-Garde Film: Polish Cinematic Experiments from Expressionism to Constructivism

  Research output: Book/Report › Book › peer-review

• The Struggle for Form: Perspectives on Polish Avant-Garde Film

  Research output: Book/Report › Book › peer-review

• Grasping Fragmentary Evidence: Jalu Kurek’s Rhythmical Calculations (1934) and the Notion of Photogénie

  Research output: Chapter in Book/Report/Conference proceeding › Conference proceeding › peer-review